Half-And-Halfs, Hermaphrodites, Half-Man Half-Woman
"No category of Freaks is... regarded with such ferocious ambivalence as the Hermaphrodites, for none creates in us a greater tension between physical repulsion and spiritual attraction." -- Leslie Fiedler, Freaks: Myths and Images of the Secret Self, 1978.
"Half-Man, Half-Women” acts, known in the business as Half-and-Halfs, were popular (and lucrative) from Barnum’s time until the 1960’s. These performers were billed variously as "Sexual Enigmas," as "Hermaphrodites," and "Morphodites." They were more often than not shown in the blow-off.
In reality these performers were the sideshow's best actors. These men and women played a role that blurred the lines between reality and fantasy, confused the marks, and made the mysteries of sex seem alternatively grand, garish, strange, and frightening. They exploited confusion and titilation among a less educated audience in simpler times, often appealing to hidden and unawakened sexual desires of a more inhibited public.
The Half-and-Half limned the edges of hetero and homo, cisgendered and other gendered, in a time when the attributes of sex appeared less fluid. Those who performed the role of the Half-And-Half in the sideshow were often literally cross-dressing— wearing men’s clothes on one side of the body, and a women’s on the other.
Standard elements of the split were wearing a man's brogan shoe, often with a sock and sock garter, on one foot attached to a hairy leg, while the female side sported a smooth-shaven leg and a dainty pump. Some acts built up a muscled arm on the male side, and kept the other arm shaved and wearing bangles, rings and bracelets. Some Half-and-Half's could be seen wearing makeup on the female side of her face with hair grown long, and if able, she might have a stubbled look on the male side's cheek and chin. The female breast was likewise often seen on one side more prominent than the other-- this accomplished with falsies or even saline injections. Anything to extend the illusion that nature was able to split the body lengthwise by gender. Remarkably, this "split down the middle" sexual demarcation was nearly universal among Half-and-Half acts, despite the ridiculousness of drawing a line between right and left sides of the body.
Sometimes, but not often, Half-and-Halfs were transgendered persons, or more frequently cisgendered men playing dress-up, or rarely, real hermaphrodites. Though rarest were the women transvestites performing as both a man and a woman. All of them were ahead of their time, as the freedom to flaunt ones "other than heterosexuality" in public-- whether an "act" or not-- wasn't something the average American could see in any other venue.
Whether fully out, or fully in, the Half-and-Half role they played in the sideshow was nearly always a partial truth, an exaggerated reflection. Yet behind the scenes, when the marks left the lots, protected within the insular world of the shows, many were able to live a relatively judgement free and open lifestyle that could not be found in the places they’d come from, or the the places they were going to when they left the business.
Performers in this category
- Adam and Eve [aka Albert-Alberta]
- Anna John Budd
- Benny Rogers "The An-drog-y'nal Wonder"
- Bessie and Bessettes "Half Man and Half Woman
- Bobby Kork
- Charlotte "The Gorilla Girl"
- Cleo Renee
- David Logsdon "Linda Lopez"
- Diana D'Elgar "Sensation of Three Continents"
- Dora Dawson "The Double-Voiced Singer"
- Doraldina Huera "Half Man - Half Woman"
- Francis Doran
- Elsia "The Human Paradox and Physical Phenomenon"
- Fannie and Frank Blais
- Frances "Half Man Half Woman"
- Francette "Half Man - Half Woman"
- Francies Benton "Male And Female In One"
- Francis "Half-Man, Half-Woman"
- Freda-Fred Van
- Lala Coolah
- Leo-Leola "The Human Paradox"
- Louis-Louise Logsdon
- Mondu "Half Man, Half Woman"
- Paul-Pauline LaPage
- Ray "Half Man, Half Woman"
- Roberta Ray
- Stella Adams
- Zaza Frazee
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